At this time, we will only be training in techniques and movements which maintain social distancing. No sparring, Grappling or person to person contact will be allowed.
At our club, we study Iaido Which is known as “The art of drawing the sword”. These teachings, Initially Developed by Hayashizake Jinsuke Shigenobu in the mid 1500’s, have evolved from the Samurai warrior class well over 450 years ago and are still practiced around the world today. Our club seeks to maintain the preservation of the teachings of the late Masayuki Shimabukuro Sensei through our teachers in the Sei Kosho shorei Kai International to new generations of Martial Art Students in order to preserve these arts.
Iaido practice utilizes the solo use of unsharpened metal Katana swords called Iaito. The actual techniques (waza) are developed from orthodox teachings and have been handed down from teacher to student for centuries.
The curriculum also contains Kenjutsu partner practice in which we use traditional wooden swords called Bokken. It is not “free fighting” and there is no competition involved as it would be too dangerous. Training is done through Kata or pre-arranged movements. Both individuals benefit from this training.
Why Study The Japanese Sword?
Often beginners get confused as these classic Koryu arts are meant to teach combative principals, not the skills. This requires the practitioner to cultivate an intense sense of focus and concentration which cultivates an awareness that is needed in this ever increasingly dangerous society.
In the physical sense, training in the sword arts can be a great way to strengthen the body and the mind. Although the practice of Iaido or Kenjutsu may look easy when watching an experienced practitioner, it is usually the result of many hours of sweat and hard work.
Training is tedious, both mentally and physically with emphasis on basic movements. Strict attention to detail is required, as is consistent repetitive training. Exceptional students may eventually be eligible for traditional certificates from the organization, but there is never a guarantee of promotion. The reason to train classical arts is for personal satisfaction and development, not for external validation of your accomplishments. There are no Belt rankings. The belts or “obi” practitioners wear are a means to secure the sword only. Color and shape is personal choice.
We do not teach watered down martial arts. As a member here, you will get proper conceptual and technical teachings. Lessons are usually in smaller groups to be sure you are getting quality instruction, just as these arts were passed down from student to teacher for generations.
The History of These Sword Arts
Muso Jikiden Eishin Ryu Iaido is one of the most widely practiced schools of Iai (Sword Drawing art)and Kenjutsu in the world. It claims an unbroken lineage dating back from the sixteenth century to the early 20th century. One of the reasons is because the 17th undisputed headmaster, Oe Masamichi, awarded at least 16 licenses of full transmission. This resulted in multiple legitimate branches and teachers. It is this reason that Eishin Ryu still thrives.
The founder of the earliest Iai school was Hayashizaki Jinsuke Minamoto no Shigenobu.(1546-1621). He is considered the founder of sword drawing by most historians. Many of the historical details of Hayashizaki’s life are unclear and widely made up of legend due to wartime. According to legend, Hayashizaki’s father was killed and to take revenge he began training. He went to the Hayashizaki Meijin shrine to pray for guidance and received divine inspiration for a new technique of drawing the sword and cutting in one movement. Legend says that he eventually defeated his father’s killer and got his revenge.
Hayashizaki’s art has had many names since it was established, such as Hayashizaki-ryu. It is considered the foundation for many of the major styles of sword Drawing practiced today, in particular the style we practice, Musō Jikiden Eishin-ryū.
The seventh generation headmaster of Hayashizaki’s school, Hasegawa Chikaranosuke Hidenobu (Eishin), was an important headmaster. His techniques evolved the art from the Tachi (long sword) to the contemporary shorter Katana. His influence and adaptation led to the style being named Hasegawa Eishin-ryū. It was also referred to as Hasegawa-ryū or simply Eishin-ryū as it is today.
The ninth Headmaster, Hayashi Rokudayū Morimasa, introduced a set of techniques executed from the formal seated position seiza. They are said to be influenced by Ogasawara-ryū etiquette, which starts from seiza (Knee sitting position). They were taught alongside the Eishin-ryu techniques and is the reason many folks see this very popular Seiza position for Eishin ryu. This is a also a very popular position for other hand arts such as Kempo and Aikido
One of the most important headmasters was the seventeenth, Ōe Masaji. Born in Asahi (nakasuka) Tosa in 1852. Ōe studied Kokuri-ryū and Oishi Shinkage-ryu kenjutsu along with Shimomura-ha Eishin-ryū. At the age of 15 he took part in the Battle of Toba–Fushimi, following which he studied Tanimura-ha Eishin-ryū. Ōe inherited leadership of the Tanimura-ha, becoming its 17th headmaster. He combined the school’s teachings with those of the Shimomura-ha and restructured the curriculum. Ōe reduced the number of techniques and reorganized them into the Seiza (Shoden), Tachihiza (Chūden), Okuiai (Okuden) and kumitachi waza sets practiced today.
Although he retained the original techniques, he changed the names of some waza to aid understanding. Ōe named the re-organized school Musō Jikiden Eishin-ryū during the Taishō era (1912-1926). In 1924 he became the second person to be awarded Hanshi in Iaidō by the Dai Nippon Butoku Kai. He died on April 18, 1926. His many students went on to spread Musō Jikiden Eishin-ryū Iai beyond Tosa and throughout Japan. He is one of the reasons Eishin-Ryu is widely practiced today.
Eishin-ryū uses a system of indiscriminate transmission, allowing anyone in possession of full-transmission to award licenses to any number of his students Therefore, it is possible that there were multiple, unlisted holders of menkyo kaiden, known in Eishin-ryū as Kongen no Maki, in any generation. Due in part to Ōe Masaji’s more open and inclusive approach to teaching Eishin-ryū, the lineages of groups practicing the art are fairly diverse and complex.
Our club seeks to maintain the preservation of the teachings of the late Masayuki Shimabukuro Sensei through our teachers in the Sei Kosho Shorei Kai International to new generations of Martial Art Students in order to preserve these arts. Feel free to contact us with any questions at all about our sword program, our authentic lineage, and it’s modern day benefits for you!
(All Historical info on this site through research within the
Sei Kosho Shorei Kai International and other on-line resources. feel free to follow any links provided.)